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We have moved the whole blog over to astorynoonetold.com.
WHO:
Last Gang Records (Presenter)
With DJ sets from George Strombolopolous (CBC), Michael Williams (MuchMusic), Your Boy Brian (More Proof), K-OS (Universal).
WHAT:
A monthly event series where trendsetters from all avenues come out to hit the decks and share their favorite tunes with fans and music lovers alike. Stay Gold gives party-goers the chance to be united with a rare line-up of tastemakers through their love of music, and is a nod to those who stay true to their craft.
WHEN:
The last Thursday of every month.
WHERE:
206 Beverley St (Btwn College & Dundas). A rental hall and a neutral venue.
WHY:
At any given time, there is a multitude of local and international creative talent in Toronto – actors, fashion designers, tv personalities, recording artists, dj’s, producers, you name it.
Our aim is to consistently put together DJ/performance lineups that have never been seen before, and host them in a non-traditional venue with no pre-determined crowd. The common bond between them will be the ethos of the event; they all ‘Stay Gold’.
"Rapper k-os goes back to work in The Bay's toy department for his dare, as part of A Dare to Remember, a nationwide challenge to raise money for AIDS in Africa for the Stephen Lewis Foundation."
Voters have from today until
"We can't wait to see the final list of locations and artists chosen by Canadians," said
The GREAT CANADIAN SONG QUEST's artist line up was selected from Radio 2's playlist, and includes musicians representing Canada's regions and celebrated sounds. From musical icons to emerging stars, Canadians will choose from a vast range of styles-from urban beat and home-grown folk, to rich and nuanced world music. Artist bios and a selection of their work can be found at the
The location short list is a result of the nominations submitted by Canadians over the past two weeks, through the GREAT CANADIAN SONG QUEST website, campaign-style blogs, Tweets and Facebook comments, and photo and video postings.
A full list of the 65 singer-songwriters participating in the GREAT CANADIAN SONG QUEST and short listed locations follows as an appendix.
CBC/Radio-Canada is Canada's national public broadcaster, and one of its largest cultural institutions. With 28 services offered on Radio, Television, the Internet, satellite radio, digital audio, as well as through its record and music distribution service and wireless WAP and SMS messaging services, CBC/Radio-Canada is available how, where, and when Canadians want it.
Via CNW Group
A swanky big money/big ego setting is provided for 30-plus local celebrities – urban studies theorist Richard Florida, rapper K-OS and model Yasmin Warsame, to name a few – who are taking part in six two-hour Monopoly games in the gallery of the TMX Broadcast Centre (the Exchange Tower, 130 King St. W.). Real Canadian currency will take the place of Monopoly money, should some spectators not notice the difference.
The Burn September 29th 2009
Blake Carrington feat. Rich Kidd & Kemikal – Everybody’s Watching
Mason Payne – DOTP
Drake feat. Kanye West, Lil Wayne & Eminem – Forever
Ian Kamau feat. The Real Voyce – Can’t Make You Love Me
K-os feat. Saukrates & Nelly Furtado – I Wish I Knew Natalie Portman
Shad K – Compromise
Shad K – Get Up
The Fugees – How Many Mics
NERD – Am I High
J Davey feat. Euclid – La La Land
Coyote feat. Rich Kidd – Me & You
via shadk.com
While we showed up at different times, it didn’t take long for me and Vlad to find ourselves on the same page. The goal seemed pretty simple: Find a good setting, grab Shad and take some pictures. Not so. The Observatory is notoriously hard on photographers, and has been since I went to J school at Algonquin some years back. I’m not sure why, but they won’t let you shoot in there for any worthwhile period of time. So, of course, someone in the place, who Vlad reports looked like Peter Jackson (pre-gastric bypass surgery), got into Vlad for being too liberal with his camera and, as such, we were forced to take our party elsewhere. It was something of a headache pulling Shad out of his dressing room, bringing him back to the gig and then being told that we had to go somewhere else to take the shots we were after. But long story short: We went back to the room, set up, and were finished within minutes. As Shad is a post-graduate student working towards his MA in liberal studies, we thought it would be cool to set him up at a white board, looking like he was teaching a class. The end result? You tell us. The shots are posted and we definitely hope you enjoy them as much as we do. Talk to ya soon!
The Calling by Shad K feat Jermiside & Destruments off Danny Diggs‘ “Introducing” EP!
via TRF
Ten things the self-described “neo-crossover rap ’n’ roller” can’t live without By Amy Verner
1. My go-to guide
The Origins of Virtue, by Matt Ridley, is a book about evolution, morality and the idea that we take a lot of our behaviour from the animal kingdom. A band is like a gang, and I found Ridley’s book taught me a lot about co-operation. I give it to friends starting businesses, so I keep having to buy it.
2. My Magic Bullet blender
My bandmates and I are trying to be a bit healthier on tour, so I bought this great little blender. Not all of the concoctions we mix are healthy, though. Our favourite drink is gin and Greens Plus, a nutrition supplement.
3. Dalpuri
Caribbean Roti Palace (744 Bathurst St., 416-533-7466) has the best dalpuri in the city, hands down. It’s roti with yellow split peas, and it’s soft and amazing and only $2. I eat it “buss-up-shut,” which is a Trinidadian way of saying you want the roti shredded, with curry on the side.
4. My pencil
I always roll with a Staedtler HB. I had been writing rhymes on my computer and my BlackBerry, but some rappers and poets I know thought that was weird. So I bought some pencils at Curry’s Art Store on Queen. Now when I write out rhymes, there’s a sacredness to them; it’s more kabbalistic.
5. That ’70s Show
I watch it all the time. I appreciate the music and how defined the characters are. I think people chase the generations they were too young to experience. I was born in 1972, so for me, it was the ’70s.
6. My Levi’s jean jacket
I’ve had it for four years. Sometimes I’ll be in a cab heading out for the night, and I have to turn around so I can go back and throw it on.
7. My instruments
I have guitars and crazy drum machines. Everything’s in my bedroom at my condo, near Richmond and Portland. When I was writing Yes!, my new album, I’d get out of bed, watch TV, see something that disturbed me or that I really liked, and then just use my home studio.
8. The Bible
It’s the New World translation, which is the Jehovah’s Witness Bible. My father gave it to me, and I always take it on trips.
9. Musical inspiration
When I’m making a record, I listen to The Low End Theory by A Tribe Called Quest. I love the well-groomed, street corner call-and-response style on that album. It’s vulnerable, yet still Brooklyn B-boy to the bone.
10. Brut aftershave
It reminds me of my uncles, Lennox and Winston. When I was a kid, Uncle Winston would give me his keys and let me start the car and pretend to drive. So I started rocking it. I think I associate it with manhood.
Think you have Canada's loudest students?
Prove it and you could see K-OS in concert.
TD Canada Trust is bringing K-OS to play for 3 groups of Canadian students - one in the East, one in Central Canada and one in the West. If you want the students from your school to be among the winners of this TD Canada Trust Music Experience, you need to vote. Every time someone from your school votes with their cheer, it could push the volume louder and past the students from other universities and colleges in your region.
Plus you could win a VIP concert package, which includes tickets to the show, swag and more.
So vote for the students of your school, and tell your classmates that if they want to see the show,
you need to hear their cheer.
This Track Was Released On The 1996 Test Press Along With The 3 Versions Of Rise Like The Sun, This Track Is Also Very Rare, Anyway Enjoy The Song I Know I Have.
Rise Like The Sun Doc Mix By K-os. A Pretty Rare Gem Been Looking For It For A Long Time Now Anyway Enjoy. By The Way This Was Released As A Test Press On The K-os Rise Like The Sun 12.
Another fun week here on SNSS in the 206, peep the highlights:
- Great music from the likes of Brother Ali, Balance, One Be Lo, Fresh Daily, Raekwon, Little Dragon, U-N-I, Mayer Hawthorne, Phonte, and more.
- A world premiere for the new Blue Scholars track, “Dawn’s Song,” off the upcoming re-release of Bayani. The track features Shad, possibly my favorite MC in the entire industry right now. Yeah, I said it. Not familiar? Watch this and thank me later.
- On a sad note, we have to give yet another RIP shout to DJ AM, easily one of the illest DJ’s and sneakerheads in the game. This summer has been rough.
Show #222 (8-30-09)
- Brother Ali – “Fresh Air”
- D. Black ft. Tiffany Wilson – “Touch The Stars” (Local Music)
- Balance ft. Freeway & Jay Rock – “We All In”
- One Be Lo ft. Mike Posner – “Pigs”
- Havoc ft. Lloyd Banks – “Bang, Bang”
- Rashid Hadee – “(See You In My) Nightmares”
- Fresh Daily – “Video Gaming”
- Peter, Bjorn, & John ft. Big Pooh, Phil Nash, & Chaundon – “Stay This Way (DJ Jazzy Jeff Remix)”
- Drake ft. Kanye West, Lil Wayne, & Eminem – “Forever”
- **INTERVIEW WITH PAC DIV (SNIPPET)**
- Pac Div – “Taste”
- Little Dragon – “Never Never”
- Mayer Hawthorne – “The Ills”
- U-N-I – “Calendar Girls”
- Kev Brown ft. Kenn Starr, Wayna, Raheem DeVaughn, & Eric Roberson – “The Hennessy Joint”
- Blue Scholars ft. Shad – “Dawn’s Song” (Local Music) (WORLD PREMIERE)
- Raheem DeVaughn ft. Ludacris – “Bulletproof”
- The Nope (Moka Only & Psy) – “Rain All Day” (Local Music)
- Raekwon ft. Cappadonna & Ghostface Killah – “10 Bricks”
- 14KT – “Black N Gold”
- Charlie Smarts – “Put You On”
- Marc Mac ft. Phonte – “Take A Trip”
Link to download the mp3 of the show – http://www.mediafire.com/?ozmybywhidm
(back up / streaming link – http://www.zshare.net/audio/649603854484e662/)If there are any problems with the links or if you’d like to be added to our weekly email list to receive the playlist and download links after every show, just shoot me an email, DJHyphen@gmail.com.
For the complete article: The Audacity of Dope
Official music video for Hey Oceans Fifteen words from their 2008 release Its Easier To Be Somebody Else.
Check out Hey Ocean on the web: www.heyocean.com
Video directed by Jeremy Regimbal and produced by www.thestudiomovement.com
Live at the Gordon best in Peterbogough, Ontario
orig track featured on Megacityhiphop.com mixtape vol1
http://www.zshare.net/download/540115...
Available on itunes.ca
THE GREAT ESCAPE
louwop
| The Marquee Club | Halifax, Nova Scotia | ||
| Harvest Jazz and Blues Festival | Fredericton, New Brunswick | ||
| Rifflandia | Victoria, British Columbia | ||
| The Gateway | Calgary, Alberta | ||
| Piano’s | New York, New York |
Self deprecation has always been a part of certain strains of hip-hop. Among the waves of artists who rap about blunts, broads, and Bentleys, there has always been a select few whose subject matter has always leaned towards the simpler things in life.
Canadian rapper Shad has always fallen under the latter of these two groups, and his new single “The Old Prince Still Lives at Home,” is no exception. Rhyming over a minimal drum beat and bass grove, Shad outlines the life that he leads still living at home with his parents.
Shad sounds like artists from rap’s “Golden Age,” like Skee-Lo or Del tha Funkee Homosapien. The bragging and boasting in hip-hop that took over after this period has no place on this track. Instead, the subject matter is focused around how much Shad has to scrimp and save to get by, culminating with the statement that the rapper “couldn’t even afford the whole beat,” after a break in the music.
Songs like these represent the universality of hip-hop. For those who aren’t large fans of the genre, Shad offers clever wordplay and a few laughs, something that most anyone can appreciate. For connoisseurs of rap, Shad offers a welcome return to a more substantive period in hip-hop.
The requisite intro joint is an actual song rather than a useless bit, featuring a couple of verses that serve to introduce both Shad’s skills on the mic. The song serves as an introduction to his character as well as the themes discussed elsewhere on the album, such as spirituality and search for fame. “I Don’t Like To” kicks things off proper with a nice instrumental by producer Mantis, utilizing a twinkling piano cascading over shuffling drums that reminds me of something the Mountain Brothers would spit over. Shad’s first verse finds him in battle mode dropping amusing punchlines. The second verse, however, takes an unexpected turn focusing on illegal downloading and adapting and changing as an artist to fill that change in environment:
iTunes, eye-patchThe verse really showcases one of the quirks of Shad’s rhyme style in his preference for playing homophones (or near homophones) off of each other. There is a fantastic self-reflexive quality in his use of changing words to fit unexpectedly into a technological lingo and his expression of the artist’s need to grow and change in the content of his bars.
I'm in the same boat where the pirates be
Tell'em I'm down with that pirate stee
They don't buy it, I say don't buy it -- pirate me
If it's ill, it'll spread virally
From my received folders to
Appearin' in the love that the crowds show
(shhh) if it sound dope -- keep it on the downlo(ad)
Keep it real, player / Real Player
With the volume cranked
And I'll be ballin like Tim Duncan - callin bank […]"
If you happy when you save 2 dollars a weekWhether like in “The Old Prince…” Shad tackles lethargy, laments the struggle of black youth in a society that shows them limited options culturally in “Brother (Watching)” or talking about the poor state of his love life in “Out of Love Pt.2”, he does so with a sharp wit and careful attention to detail. Although there is a different producer for each track, that same attention to detail carries over to the production. Each song is interesting enough to stand out on their own, but supports the overall vibe of the album like the drum-driven “Exile” or the beautiful piano and string arrangement on “Three Years (Interlude).” This one of the finest hip-hop debuts I’ve heard in some time and one of the best albums I’ve heard in awhile period.
You steal your neighbors empty bottles
And keep all your receipts and only treat your girl
Yearly to McDonalds to eat
Don't be ashamed, pop your collars man - holler at me!
If ya'll are this cheap [...]"
The rain hasn't let up all day at the Boise, Idaho, stop of Warped Tour, so fans and bands have found ways to brighten their spirits.
The crowd was somewhat restless at first, as his set-up took the longest of any group of the night, but all was forgiven when K-Os took the stage in what may have been the largest red hoody of all time, a possible salute to Saskatchewan's proud bunny-hug culture.
Read the rest of the article HERE.
The biggest thing to come out of Canada since Pamela’s double d’s!” Although the hilarity of this punch line might be first to draw your attention, it should not serve to overshadow the claim made by the emcee that spit it. Shadrach Kabango, also known as Shad K, or increasingly these days as just plain Shad, has at the very least, made his presence well known in the Canadian hip hop scene over the last year and half. Since the initial quiet release of his “When This Is Over” album in 2005, Shad has steadily grown as an artist and a performer to the point where some critics in the Canadian music industry have directly called him out as one of the bright spots and true emerging talents in Canadian hip hop. CBC Radio 3 recently went as far as to say that “2007 is the year of Shad”. Whether that will be the case remains to be seen, but since exceeding everyone’s initial expectations, including his own, Shad has good reason to be confident in his future projects.
K-OS teamed up with the David Suzuki Foundation for a Cross-Country Tour of "pay what you want" shows. Helping to promote awareness on the state of the environment and spread some good Karma. This is an ongoing blog from the tour.I never seen this piece of footage before the his tour. I thought you might want to see it even though the tour is over.
produced, directed, edited by: Jamie Tanner
***K-OS (DJ SET)
DOA
SWEATSHOP UNION
ADAM SHAIKH
BISON BC
VINYL RITCHIE
CURRENT SWELL
JETS OVERHEAD
LUKE MCKEEHAN
VICIOUS CYCLES
MAURICE
DJ EVO
DJ HUBBS
MOTHER MOTHER
***HEY OCEAN
***SHAD
FELIX CARTAL
DJ BRYX
SAID THE WHALE
B TRAITS
WOOD AND SOO
THE RACOONS
GOODBYE BEATDOWN
VENICE QUEEN
THE BLUE VIOLETS
SAM DEMOE
USS
REDEYE EMPIRE
LONGWALKSHORTDOCK
VELVET
Full schedule will be released on July 17th.Deraylor Music Festival will rock Whistler ‘s hottest venues during Kokanee Crankworx
August 13 -15 2009, Whistler, BC, www.deraylor.com
Featuring over 45 bands and DJ’s from around the globe, The Deraylor Music Festival will live and breathe the lifestyle that surrounds the world’s most renowned mountain biking festival, Kokanee Crankworx. For the first time, Whistler’s hottest music venues and nightspots are working closely with Deraylor’s producers to host a unique music line-up from the 13th to the 15th of August.
“The goal is to turn the old music festival format on its head by creating a multi-venue, wristband festival that will establish Whistler as a great destination for local and international music events,” says Tyl van Toorn, co-founder and Executive Producer of the Deraylor Music Festival.
The Deraylor line-up includes artists such as K-OS, DOA, USS, Mother Mother, Shad, Long Walk Short Dock, Felix Cartel, Bison, Shad, Jets Overhead, Wood & Soo, DJ Bryx, Said the Whale, Current Swell and Hey Ocean. Full line-up and schedule can be found at www.deraylor.com
Deraylor is featuring its lineup in Whistlers best venues including the Longhorn, the GLC, Tommy Africa’s, Maxx Fish, Mojo’s, Garfinkel’s and Merlin’s. “This year’s event is about offering a great line-up and creating a great experience for attendees,” says Deraylor Co-producer Nick Blakso. “We want to ensure that fans will have access to more artists and venues than any other past experience.”
And the price is right. A $35 wristband will grant exclusive access to all concerts taking place in participating venues. “I have never been more excited”, says van Toorn. "We have been involved in producing music in Whistler for over a decade and I have never seen more people come together to build a great event. There is something really exciting and unique about having just about every live venue and bar in town working together to create such a unique experience. "
Deraylor will be THE party in Whistler village from Aug 13 -15 and create a unique music experience for everyone coming up to party during Kokanee Crankworx. "The Deraylor Music Festival is a fresh new platform for music in Whistler." says Kokanee Crankworx GM, Jeremy Roche. "We are very excited to be working with some dynamic, experienced progrmming partners on a concept that we are sure will be an amazing addition to the Kokanee Crankworx Festival."
Admission to all shows by Festival Wristband Only and are subject to age (19+) and capacity restrictions.
Tickets are available online at www.ticketweb.com and at the following locations
Vancouver- Zulu Records, Beat Street Records and Scratch Records
Whistler- Showcase Snowboards
Visit www.deraylor.com or email info@deraylor.com This e-mail address is being protected from spambots. You need JavaScript enabled to view it for more information
Choreographed by Victor Quijada
Edited by Micah Meisner
Performed by Jayko Eloï & Victor Quijada
Commentary by K-OS
--
Although RUBBERBANDance Group members had appeared in previous K-OS music videos and onstage at his concerts, this was the first formal choreographic collaboration that transpired between Quijada and the Juno Award winning rap artist. The central mens duet was originally conceived for the RBDG full length piece SLICING STATIC and restaged for the award winning music video directed by Micah Meisner.